在传统意义上,父亲是权势与威严的象征,是家庭王国的无冕之王。但是,在二十世纪中国文学史上,父亲形象却大多遭遇到了被从各个角度贬抑的厄运,陷入了百年尴尬的窘境。在世纪初文学和新文学第一个十年中,遭贬抑后的“父亲”大多专制、暴虐。此期文学中出现的父亲形象,有的不折不扣地执行封建教义,如秋瑾的弹词《精卫石》中女主人公黄鞠瑞的父亲,当 In the traditional sense, the father is a symbol of power and dignity, is the king of the family kingdom without crown. However, in the history of Chinese literature in the twentieth century, most of the images of fathers encountered the bad luck derogated from all angles and were embarrassed for a hundred years. In the first decade of literature and new literature in the early 20th century, most “tyrannical” after being belittled were tyrannical and abusive. In this period, the father appeared in the literature, and some faithfully executed the feudal doctrine. For example, Qiu Jin’s heroine Huang Jurui’s father,