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以书入画,顾名思义,就是以书法融入绘画,这主要包括两层含义:其一,在画面上题写书法题跋;其二,用书法用笔来作画。在这两者中,对后者的要求更高。在中国传统绘画中能实现用书法用笔来作画,一是与中国古代书法在文人中的普及分不开;另外,书画共同的工具——毛笔,也为这种结合奠定了基础。书法中的线条本就是经过对自然中的事物长期的观察以后概括总结出来的一套有意味的形式,所谓“高峰坠石”“万岁枯藤”1等。那么把书法中高度成熟的流动转折且极富变化的抽象性线条融入绘画,无疑会使绘画增添除形似和整体意蕴之外的抽象的线条韵味。线条自身的转折变化、墨色天然的浓淡韵味所
To the book into the painting, as the name suggests, is to calligraphy into the painting, which includes two meanings: First, inscribed on the screen calligraphy inscriptions; second, with calligraphy pen to paint. In both cases, the latter is more demanding. In the traditional Chinese painting can be achieved with a calligraphy pen to paint, first, and ancient Chinese calligraphy in the literary popularization is inseparable; In addition, painting and calligraphy common tool - brush, but also for this combination foundation. Calligraphy in the line of this is after long-term observation of things in nature after the summed up a set of meaningful forms, the so-called “Peak Falls ” “Long live Withered ” 1 and so on. Then the highly mature flow of calligraphy abrupt changes in abstraction abstract lines into the painting, will undoubtedly add to the painting in addition to the shape and the overall meaning of abstract line charm. Changes in the transition of the line itself, ink color of the natural charm of the flavor