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宗炳的千古名著《画山水序》是中国最早的山水画理论著述,阐述了以小观大、神托于形等观点,还明确提出了归之于“道”的理念,首次将绘画的精神内涵上升到了“道”的层次,《画山水序》一文也因此成为中国山水画科目的重要理论基石。
Zong Bing’s famous book “Landscape Painting” is the earliest theory of landscape painting in China. It elaborates on the idea of “small”, “god” and “ The spiritual connotation rises to the level of ”Tao“, and the article ”Painting Landscape Series" has therefore become an important theoretical foundation for the subjects of Chinese landscape painting.