当代画坛,真正称得上鹤发童颜的画家或许只有吴山明。但真正使吴山明在画坛之上独特起来的还是其意笔人物。以传统衡之,吴之笔墨——中锋、宿墨——并无更多的创意,他的创意在于笔和墨都涵泳在水性之中。他把笔与墨的理性调控同水的感性浸透有机地融合起来,进而有了自己独特的艺术样式——微甘,也微苦。范景中曾三论吴氏之“气”。一曰“以山水点苔之法增神采”;二曰:“以北碑南帖之线立骨气”;三曰:“以积墨和宿墨法求幽淡苍茫。” Contemporary art circles, really worthy of a fair share of painter may only Wu Shanming. But what really makes Wu Shanming unique on the art scene is his gospel character. Traditionally, Wu’s ink - center, Su ink - no more ideas, his idea is that both the pen and ink are immersed in water. He organically combines the rational control of pen with ink with the perceptual infiltration of water, and then has his own unique artistic style - slightly sweet and slightly bitter. Fan Jingzhong had three on Wu ’s “gas”. One said “to the law of the landscape of the point of moss increase”; Second: “North Beitianbei line of vertical and horizontal gas”; three said: “to plot ink and accommodation ink law for the vast and vast. ”