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百年中国,国运动荡,万事诡谲。作为时代“尖声”的诗歌在风云际会中,定论各异。“反刍”百年,新诗堪称是所有文类中问题最多的“钉子户”。老问题积郁难清,新问题层出不穷。拎出其中若干:比如它与古典诗歌是否已然独立出自己的另一种“制式”?如何看待其诗意、诗性的逆袭所造成的双重“悖谬”?以及它在规范、体式、形式化等方面的“含糊”面目所引发的疑虑与初识,求教于方家读者。
Hundred years China, the national movement turmoil, everything is fickle. As the era “scream ” poetry in the context of the wind, the conclusion is different. “Ruminant ” Centennial, the new poem can be called “nail house ” that has the most questions in all genres. Lack of old problems, new problems emerge in an endless stream. Such as whether it and the classical poetry are already independent of their own “other ”? How to treat the poetic, poetic counter-insurgency caused by double “Absurd ”, and it in the norms, Body style, formalization and other aspects of “vague ” face the doubts and acquaintances, seek advice from Fang readers.