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清代,随着政权的巩固,疆域的统一,社会安定及经济的发展,出现了“康乾盛世”。这一时期,绘画艺术也随之呈现出名家辈出的繁荣景象。在商业经济昌盛的扬州,则出现了以“扬州八怪”为代表的“扬州画派”。“扬州八怪”画家从石涛、八大山人那里接下“反正统”旗帜,以革新的面目掀起了一股新的艺术浪潮。他们不拘一格,以狂放怪异之笔、泼墨写意手法构图,借画面来讽刺、揭露社会中的丑陋现象,抒发各自嫉恶如仇的愤懑胸怀,表达鲜明的
In the Qing Dynasty, with the consolidation of the regime, the unification of the territory, social stability and economic development, “prosperity of the Kangxi and the Tibet Autonomous Region came into being.” During this period, the art of painting also showed the prosperity of famous artists. In Yangzhou, a city with a prosperous business economy, “Yangzhou School of Painting” represented by “Yangzhou Baizai” has emerged. “Yangzhou eight strange ” painter from Shitao, Bada Shanren where to take over “anti-orthodox ” banner, with an innovative face set off a wave of new art. They are eclectic, with a wild weird pen, ink freehand composition of the way, by screen to satire, exposing the ugly phenomenon in society, to express their anger and resentment of the anger, articulate