论文部分内容阅读
由“诗可以怨”推及到“许可以爱”,反映了诗歌心路历程中内心情感的波谲云诡之变。诗由最早的民歌肇始到向个人创作的演进,记录了诗的艺术创造的历史。在中国,现代意义上的爱情诗,在20世纪多经磨难,直到最后的二十年,才进入它的勃发时代。在爱情诗 中记述的怨与爱的两种心灵体验的相互漫漫与纠缠,正是“剪不断,理还乱”的情感美的融合。 爱情诗是展现人性美与人情美中美与崇高的最佳文学手段之一。
From “poetry can complain” to “permission to love”, reflects the heart of poetry in the heart of the wave of paradoxical changes. From the beginning of the earliest folk songs to the creation of personal creations, the poem recorded the history of poetic art creation. In China, the poem of love in the modern sense, after many trials and tribulations in the twentieth century, entered its period of boom until the last two decades. The long and entangled two psychic experiences of resentment and love recorded in the love poem are precisely the emotional beauty of “uninterrupted, unreasonable chaos”. Love poetry is one of the best literary instruments to show beauty, beauty, beauty and loftiness of humanity and humanity.