论文部分内容阅读
本文循序渐进的介绍了有限偶然创作技法,梳理出其历史发展社会背景,并结合偶然音乐对比阐述了其自身的音乐特点,即在可以预见的情况下赋予演奏者解释音乐的某些即兴权力,使音乐更具弹性。即使音乐局部有不同程度的改变,也不至于使整体音响改变得与起初的构思和设计相差甚远,从而保持了音乐作品对听众的感染力。笔者从历史背景、偶然音乐及有限偶然三个方面进行阐述,力求对有限偶然音乐进行深入的了解。
In this paper, we introduce the limited chance creation technique step by step, sort out the social background of its historical development, and combine with the coincidental music to expound its own musical characteristics, that is, give some impromptu powers to explain the music under the foreseeable circumstances. Music is more flexible. Even if there are different degrees of local changes in the music, it will not change the overall sound far from the original concept and design, thus maintaining the musical appeal to the audience. The author elaborates from three aspects: historical background, occasional music and limited chance, and tries to make a deep understanding of limited incidental music.