千里马与伯乐这个故事,很多人都知道,都懂。同理,一方好的砚石没有好的设计,好的构思,好的制作和雕刻,那最后也只能是被埋没而已。正如千里马一样,砚石没有好的砚雕师来识别,来雕刻制作,那也只是一块砚石。那么对于歙砚,很多人都有一定的了解,在此我就不在多做介绍了。而我想说的是我在雕刻制作歙砚时,从中得到的一点感悟和自己的一点见解。一、审图审图就是了解砚上设计的图文。首先就要知道这砚石上设计的图文是做什么,是 Maxima and Bole this story, many people know, understand. By the same token, a good inkstone on one side does not have a good design, a good idea, a good production and engraving, and in the end it can only be buried. As the Maxima, inkstone is not a good teacher to identify the inkstone, to carving, it is only an inkstone. Well, for Yan Inkstone, many people have a certain understanding, where I will not do more to introduce. What I want to say is that when I was making sculptures, I got some insights and my own opinions. First, the trial plan is to understand the design of inkstone on the map. First of all, we must know what the inkstone is designed to do