陈振濂:看了庆春的篆刻新作集,总体上感觉很好!翻了前几页,还有看下去的欲望,说明能吸引人,是成功的。篆刻的取法丰富,视野开阔。面目既多样又和谐,不单调,有含量。作品融入了玺印、汉印乃至吴昌硕、来楚生的元素。这种取法的广泛性对于一位书法篆刻家来说是十分必要的。我在教学上也强调这点,广纳博采、厚积薄发。不必过于强调个性,年龄和功力到了,面目自然就出来了。不妨借鉴钱君匋的做法,多元取法,为我所用。这批印章的边款效果也很好,有吴昌硕的味道,丰富而严 Chen Zhenlian: Read Qingchun’s new collection of carvings, in general, feel good! Turned the first few pages, as well as the desire to look down, that can attract people is successful. The method of seal cutting is rich in vision. The face is diverse and harmonious, not monotonous, content. Works into the Yuxi India, Chinese and even Wu Changshuo, to Chusheng elements. The breadth of this approach is essential to a calligraphic carver. I also emphasize this point in teaching, 广纳博采, Accumulate. Do not have too much emphasis on individuality, age and skill to the face naturally came out. May wish to learn from the practice of Qian Junyi, multiple ways, for what I use. The margins of these stamps are also very effective, there Wu Changshuo taste, rich and strict