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本文通过对贺绿汀《牧童短笛》的诞生所引发的思考,以20世纪西方音乐的特点和中国音乐的状况,来分析西方音乐与中国音乐民族化发展中的相互影响。
This article analyzes the interaction between western music and the development of national music in China through the reflection on the birth of Shepherd’s Piccolo by He Luting and the characteristics of Western music in the 20th century and the status of Chinese music.