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首届草场地摄影季于2010年4月17日正式开幕。摄影季期间,草场地二十多家画廊和艺术机构联手举办来自国内外的摄影作品展。摄影家、摄影收藏家和公众共聚一堂,鉴赏、探讨和交流关于摄影艺术及其市场的种种话题。形形色色的展览中,有立陶宛摄影家的村庄生活;有法国阿尔勒摄影节发现奖提名作品;有三影堂摄影奖作品;有森山大道镜头中的七十年代的日本;有宝丽来拍立得摄影;有荒木经惟的情色东京;有杂志封面作品回顾……当然同时有上百位中国摄影师和艺术家的作品在摄影季缤纷呈现。如此纷繁多元的组合让我们欣赏到摄影艺术不同侧面的迷人魅力。本文仅以探讨其中之一的展览《韩磊/间隔》作为引子,共同关注摄影艺术、关注摄影艺术市场。
The first grassland photography season officially opened on April 17, 2010. During the photography season, more than 20 galleries and art institutions in the pasture co-hosted photographic exhibitions both at home and abroad. Photographers, photographic collectors and the public come together to appreciate, discuss and exchange ideas on the art of photography and its markets. Among the various exhibitions are Lithuanian photographers’ village life; the French Arles Photographic Festival Discovery Award Nomination; Three Shadows Photography Prizes; the seventies of Japan in the Mori Mansudae Shot; Polaroid Polaroid photography; Akira Araki’s erotic Tokyo; a magazine cover review ... Of course, at the same time there are hundreds of Chinese photographers and artists in the photography season colorful show. So many diverse combinations allow us to appreciate the different sides of the art of photography charming. This article only explores one of the exhibitions “Han Lei / interval” as a primer, pay attention to the photography art, focusing on the photography art market.