论文部分内容阅读
二千多年以来,儒道思想在中国的思想领域一直处于主宰地位。它们渗透到社会生活的每个角落,港透进每个中国人的灵魂,实实在在地铸就出中国文化的主体。在上层,历代儒道大师根据时代的需要,对儒道学说作出相应的研究阐发,不断丰富发展着儒道文化。对于平常百姓来说,儒道思想的普及渗透并非依靠什么高深玄奥的经典著作,而是通过一系列形象化的符号来传达的。汉画像就是这种形象化的符号之一。由于汉王朝官方哲学——即儒道学说的阴阳五行化,汉画像也打上了阴阳五行说的烙印。本文所要阐述的,就是汉画像中的阴阳五行意识及其理论基础——天人合一的思想。
For more than two thousand years, Confucianism and Taoism have always dominated China’s ideological field. They have infiltrated every corner of social life, and Hong Kong has penetrated into the soul of every Chinese and has really created the main body of Chinese culture. At the upper level, the great masters of Confucianism and Taoism in ancient dynasties made corresponding research and elucidation of the Confucianism and Taoism according to the needs of the times and constantly enriched the Confucianism and Taoism culture. For ordinary people, the popularization and penetration of Confucianism and Taoism do not rely on the profound and profound classic books, but through a series of visual symbols to convey. Han portrait is one of the symbols of this visualization. Due to the Han Dynasty official philosophy - that is, the Confucianism and Taoism yin and yang five elements of the Han Dynasty portrait also marked the yin and yang elements of the brand. What this article intends to illustrate is the Yin-Yang and Five Elements Consciousness in Han Dynasty and its theoretical basis - the idea of harmony between nature and man.