罗兰·巴特对于音乐的思考是其文本理论的重要组成部分。为了清除音乐批评领域形容词和谓语式解释的意识形态功能,他大力推崇歌唱家的嗓音,认为它是与语言符号的沟通、再现和表达无关的意指过程,充分体现了身体的物质性。对嗓音的倾听,是对人们潜意识中所存在的欲望的辨认。歌唱家的嗓音明显属于生成文本,属于罗兰·巴特所划分的生成-歌曲类型。 Roland Barthes’ thinking of music is an important part of his textual theory. In order to eliminate the ideological function of adjectives and predicate explanations in the field of music criticism, he advocated the voice of the singer as a process of communication, representation and representation of language symbols, fully embodying the materiality of the body. Listening to the voice is the recognition of the desire that exists in people’s subconscious mind. The singer’s voice obviously belongs to the generated text, which belongs to the generation-song genre by Roland Barthes.