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写实与写意是在油画领域中的两种审美趋向不同的造型形式,写实来源于西方造型的系统体系,在油画诞生的开始,写实语言也一直依傍着油画的发展,述说着油画演变的过程。可以这样地认为,西方人认识世间万物与审美观成就了油画写实的语言的形成与发展,进而在传播西方文化中,异域的造型艺术受到了一定的影响,虽然这样的造型管使西方美术受到持续的影响,但中国美术已然已经接受了西方的造型观,在自身发展油画中持续地灌入本民族的审美观与文化观,因此写意油画就是在发展中国油画过程中演变出来的。本文主要对气韵论在中国当代写意油画中的体现进行介绍,具体内容如下:
Realism and freehand brushwork are two different forms of aesthetic tendency in the field of oil painting. Realism comes from the systematic system of western style. At the beginning of oil painting, the realistic language has been relying on the development of oil painting to describe the process of oil painting evolution. It can be argued that the Westerners know the world of things and the aesthetic concept of oil painting realistic language formation and development, and then in the dissemination of Western culture, exotic art has been affected to some extent, although this style of art to Western art by However, the Chinese art has already accepted the Western concept of modeling and has continuously poured in the aesthetic and cultural values of its own nation in its own development of oil painting. Therefore, the freehand oil painting has evolved during the process of developing Chinese oil painting. This article mainly introduces the expression of the charm theory in the contemporary Chinese freehand oil painting, as follows: