从宋朝起,就有描写戏剧演出的绘画出现,(当然更远一点,我们从世纪初的汉画像石刻中,也发现歌舞演东的画面,但这只是戏剧的滥觞)。至今山西南部寺庙,还保留下来《大行散乐丰都秀在此作场》的著名壁画,可以看出元代演戏的真实场面,艺术价值和考古价值都是极高的。清代有些民间画家,也画过孙菊仙、刘赶三的一些演剧场面小画,在市场发售,有的还在民间流行的木版年画中出现,广泛流传民间,但却未登“大雅之堂”。近四、五个年来,老画家关良一马当先,用毛笔、宣纸和中国画颜料,画过许多小幅以昆曲和京剧为题材的作品。关老是到日本学油画的,深受当时流行的印象派画风影响,他的戏剧小品画,也体现了印象画派的风格。由于他爱观剧,所以入木三分地用极其简练的笔调刻划出戏中人物的动作,风格十分拙稚天真,受到广大观众的爱好。十年动乱以后,画这一类戏剧小品画的,同时出现两位杰出的作家——韩羽和马得。 Since the Sung dynasty, there have been paintings depicting dramatic performances. (Of course, we also found the scene of song and dance East from the early Han Dynasty stone carvings of the early 20th century, but this is only the beginning of drama.) So far in the temples in southern Shanxi, but also keep down the “Dali Boli Fengdu show here in this famous fresco, you can see the real scenes of the Yuan Dynasty acting, artistic value and archaeological value are extremely high. Some folk painters in the Qing Dynasty also painted small paintings of some scenes of the play of Sun Juxian and Liu Shaoshu, which were on sale in the market and some of them were still found in popular woodcut New Year paintings. They were widely circulated in the folk but not yet ”. In the recent four or five years, the old painter Guan Le has taken the lead and painted many works with the theme of Kunqu Opera and Peking Opera with brush, rice paper and Chinese paints. Katsunori went to Japan to study oil painting and was influenced by the popular Impressionist style at the time. His dramatic portraits also embodies the style of Impressionism. Because of his love for theatrical play, he is so impressed by the audience’s love that his style of action is very naive and demeanor of characters in the action in a very concise manner. After ten years of turmoil, draw this type of drama sketch, there are two outstanding writers - Han Yu and Ma De.