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成都话连读变调与韵律结构存在紧密的联系:韵律词“首重”的韵律结构是连读变调的根本触发机制,而连读变调是实现韵律结构的一种形式。分析成都话和绍兴话韵律重音的不同实现方式,文章预言:任何具有时长对立的语言,都不可能系统地采用时长突显,而只能主要依靠音高突显来实现韵律重音;任何具有时长对立的声调语言,为了实现一定的韵律结构,都一定会发生变调。
In Chengdu, there is a close relationship between the tone-changing tone and rhythm structure: the rhythm structure of rhyme words “the first weight ” is the basic triggering mechanism of the tone-changing tone, and the tone-changing tone is a form of rhythm structure. This paper analyzes different implementations of prosody stress in Chengdu dialect and Shaoxing dialect. The article predicts that it is impossible for any dialect of time to systematically adopt the prosody prominence but only rely mainly on the prominence of pitch to achieve prosodic stress. Tonal language, in order to achieve a certain prosodic structure, are bound to happen tone.