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近年来西方电影界的头面人物不同程度地感觉到电影的危机。电影问世115年以来经历了有声、彩色,立体、宽银幕、宽胶片等一系列更新,又在近20年间从胶片时期转入数字时期。作为艺术与技术相结合的视听媒体,按理说其技术的不断精进只会大大丰富其艺术表现力,从而更臻于完善然而,在雨后春笋般涌现的新媒体竞争和挑战之下,这门20世纪最伟大的艺术却面临着一个“继续生存”的问题。特别是在美国,好莱坞、评论界和主流媒体都在焦虑地谈论:“3D能拯救电影吗?”“动画
In recent years, the western movie industry leaders have felt the movie crisis in varying degrees. The film has experienced 115 years of audio, color, three-dimensional, wide screen, wide film and a series of updates, and in the past 20 years from the film period into the digital period. As a combination of art and technology audio-visual media, arguably that its continuous improvement of technology will only greatly enrich its artistic expression, which can be more perfect However, the mushrooming in emerging media competition and challenges, this 20th century The greatest art is facing the problem of ”continuing to live.“ Especially in the United States, Hollywood, the critics and the mainstream media are anxiously talking about: ”Can 3D save the movie?“ ”Animation"