仁者乐山,智者乐水,博取山水形意的山水盆景,一直以来都是中国盆景艺术长河中的潺潺中流。孤木写近景,丛林或水旱状中景,山水盆景则可移天缩地,横亘高远,以“一峰则太华千寻,一勺则江湖万里”的气魄,在咫尺盆器之中纵横构意,于斗室之中神游大好山河。国人寄情山水、亲近自然的情怀,在山水盆景艺术中得以自由的抒发和表达。本期封面选用了山水盆景名家乔红根先生的作品《蜀道难》。这件作品以坚润缀红的风砺石为石材,选材可谓精致而精当。主峰取大小与形态各宜的石材,次第垒出,山形不取连绵起伏,只求嶙峋坚瘦,表现出层峰叠峦之妙。副峰是表现主峰的主要观照者,略显低矮,极好地衬托出主峰巍峨 Benevolent Leshan, Wise Lekes, bonsai landscapes bonsai landscape, has always been the bouncing river in the bonsai art of China. Solitary tree wood to write the close-range, jungle or water-like medium-sized landscape, landscape bonsai can be shrinking to heaven, lofty, with “a peak is too Chihiro, a spoonful arena Miles,” the courage in the basin In the vertical and horizontal intention, in the bucket among the wonderful mountains and rivers. Send people love landscapes, close to the natural feelings in landscape bonsai art to be free to express and express. The cover of this issue uses the famous bonsai Qiao Honggen’s work “Shu Road difficult.” This piece of work with a solid red gritty stone for the stone, the selection can be described as refined and sophisticated. The main peak to take the appropriate size and shape of the stone, second out of base, Yamamoto do not take rolling, just stupid Jian, showing layers of ridges and peaks of wonderful. Vice peak is the main viewer of the main peak performance, slightly lower, excellent to bring out the main peak towering