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二〇一二年初春雨水后一日,马士达先生永远地离开了我们。音容宛在却又仙佛永隔的悲怆中,识者无不抱憾于他的书法几十年为印名所掩、以至知音者稀的问题。因此,本文集先生生前挚友、学生对于先生书法的学习体会、认识而成,目的是将先生书艺的渊源、追求等要项相对完整地呈现给艺界。不为逝者溢美,但求事实呈现而已。一和许多同龄书家的早年经历相似,先生早年的学习最初亦仅凭兴趣,处于自学状态。不同的是,先生早
One day after the beginning of the spring rain in 2012, Mr. Mashi Da left us forever. Wandering in the sorrowful yet gracefulness of the Buddha, all are well-acquainted with his calligraphy for decades in the name of the cover, as well as the Knows problem. Therefore, this essay collects a close friend, a student who is familiar with the learning experience and the understanding of Mr. calligraphy. The purpose is to relatively present the origin and pursuit of Mr. Shu’s art to the art world. Not for the deceased who overflowing the United States, but to show the facts only. Similar to the early years experience of many book-holders of the same age, the early years of his studies were also self-taught at first. The difference is, sir