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从汉魏至宋元的汉语语音史文献中常常提到“五音”“五声”“宫商角徵羽”“五姓”等相关的名目,已有不少学者做过解释。“五音”在大多数文献中都用来指称声母的类别(“唇牙喉舌齿”),“宫商”之名也有类似的涵义。论文中指出,宋本《玉篇》后附《五音之图》的“五音”包含了10个代表字,每组2个,一共五组。其区分标准并非声母、声调,也不是介音或主元音,而是“韵”的语音性质,即主元音和韵尾搭配后的五种不同的口腔发音状态。另外,汉代以来的文献资料里将“五姓”与“宫商”相联系,也应该从这个角度来解释,而且历史上前后一致,很有规律。
Many Chinese phonetic historians from Han to Wei dynasties often refer to the related articles such as “Wuyin”, “Wuyisheng”, “Gongyujiao”, “Wuyin” Scholars have explained. The “pentameter” is used in most of the documents to refer to the initial consonant category (“牙 喉 喉 舌 齿” “), and the term” 商 “also has similar meanings. The paper points out that ”Wuyin“, which is attached to the ”five-tone map“ of Song Yu’s ”Jade Puppet“, contains 10 representative words, two in each group, for a total of five groups. The standard is not the initial consonant, tone, nor is it the vowel or vowel, but the phonetic nature of the ”rhyme“, that is, the five different states of oral pronunciation after the main vowel and ending. In addition, in the literature since the Han Dynasty, linking the ”five surnames“ with the ”palace business" should also be explained from this point of view, and the history is consistent and very regular.