论文部分内容阅读
赵树理进行文学创作的年代是一个充满宏大叙事的年代(战争、革命、进步、落后、解放、反抗、阶级、人民、敌人……),作为个体以及个体情感思想的表现者文学,在这样的年代,具有两种可能性:符合那个时代宏大叙事的要求,被捧为榜样和楷模;与那个时代宏大叙事要求产生龃龉,被否定以致被彻底从原来的队伍中驱逐出列。这两种可能都发生在赵树理的身上。具体说来表现为:解放之前,赵树理的文学创作以其传统的艺术表现形式以及内容大众性从某种程度上暗合了毛泽东文艺思想对文艺的要求;建国后,他的文学因其具有五四批判现实主义和苏联的社会主义现实主义成分,随着毛泽东文艺思想对前两者的批判以及绝对权威的建立,赵树理开始和毛泽东文艺思想产生龃龉,并逐渐从学术意义上的批判转为政治性批判迫害。
The era of Zhao Shuli’s literary creation is an era full of grand narratives (war, revolution, progress, backwardness, liberation, resistance, class, people, enemies ...). As the literature of performers of individual and individual emotional thoughts, , Has two possibilities: meeting the demands of the grand narrative of that era, being held up as role models and role models; and the grand narrative of that era calling for unrest and being denied to be completely expelled from the original ranks. Both of these can happen to Zhao Shuli. To be specific, Zhao Shuli’s literary creation, before its liberation, with its traditional artistic expression and content popularity, to a certain extent, elicited the demands of literature and art from Mao Zedong’s literature and art thought. After the founding of the People’s Republic, Criticism of realism and the socialist realism of the Soviet Union, with the criticism of Mao Zedong’s literary and artistic thoughts on the former two and the establishment of absolute authority, Zhao Shuli began to shy away from Mao Zedong’s thought of literature and art and gradually turned from academic criticism to political Critical persecution.