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根据俄罗斯符号学家洛特曼的观点,艺术本文应被视为形式和内容高度统一的艺术符号整体。而美国符号学家苏珊·朗格同样指出,艺术符号作为符号系统的整体,应该更多关注本文的“有意味的形式”。美国文论家、作家苏珊·桑塔格在其批评文集《反对阐释》中更是激进地倡导对艺术本文内容的摒弃及对形式的关注。本文借助文艺符号学的批评方法,特别是洛特曼关于符号学的理论及其提出的艺术本文的空间模拟机制,艺术性地展示了《恩主》艺术本文的形式构造与桑塔格在其《反对阐释》中的文艺理想之间存在着互文关系。
According to Russian semiotic scientist Lotman, the art of this article should be regarded as a highly integrated form of art and symbols of the whole. The American semiotic scientist Susan Lange also pointed out that the art symbol as a symbol system as a whole, should pay more attention to this article “meaningful form ”. Susan Sontag, the American literary theorist and author, even advocated the abandonment and attention to the form of art in his critique corpus Opposition Interpretation. With the criticism of literary semiotics, especially Lotman ’s theory about semiotics and the space simulation mechanism proposed by the art, this article artisticly shows the formal construction of “grace master” art and Sontag’ Opposition Interpretation "in the literature and art there is a intertextual relationship between.