这是一台无法用我们现有的 戏剧观念来界定的演出,正如这出戏的编导邱坤良先生所说,我不是按照人们所理解的一些戏剧概念来搞这台戏的。文本似乎带有一点后现代主义的色彩,人物是符号化的,缺乏历史的深度,性格是平面非立体化的,情节由一些浮动的、直观性的意向片断构成,结构采用的是散文笔法,让人久久不能入戏,它似乎解构了一些东西,又重组了一些;吸收了一些,又抛弃了一些。舞台呈现处理也是颇为 This is a performance that can not be defined by our existing drama concept. As Qiu Kunliang, the director of the play, said, I did not do the show in accordance with the concepts of drama that people understand. The text seems to have a little bit of postmodernism. The characters are symbolic, lacking in the depth of history, the characters are non-stereoscopic, the plot is composed of some floating and intuitive intentions, the structure adopts the method of prose, For a long time can not enter the theater, it seems to deconstruction of some things, and reorganization of some; absorb some, but also abandoned some. Stage rendering is quite a deal