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唐代是中古社会引领世界文明的盛世王朝,历经千余年,在中国的大地上埋藏了无尽的文明与辉煌。经过半个多世纪的考古勘探与发掘,许多古代的文明又呈现在世人面前。本文仅以唐永泰公主墓出土壁画《宫女图》为例,追寻社会各界对它的赞誉,以诠释唐墓壁画艺术彰显的人类社会的进步与文明。一唐永泰公主墓壁画的惊世发现与保护1960年8月至1962年4月,陕西省文物管理委员会组织发掘了陪葬乾陵的唐永泰公主墓~([1])(图1)。该墓全长87.5米,出土墓室壁画近400平方米。从墓道至后墓室满壁皆有,内容有青龙、白虎、仪卫、阙楼、列戟、藻井、云鹤、天体、宫廷人物等。这些壁画大多分布在红色的“影做木构件”~([2])下,与墓室结构浑然一体,
The Tang Dynasty was a flourishing dynasty that the medieval society led the world in civilization. After more than a thousand years, it buried endless civilization and glory on the earth in China. After more than half a century of archeological exploration and excavation, many ancient civilizations have been presented to the world. This article only takes the portrait of the palace woman as an example of the mural painting unearthed in the court of Princess Tang Yongtai to trace the praise from all walks of life in order to interpret the progress and civilization of human society highlighted by the art of the tomb and tomb murals. The discovery and protection of a tomb of Tang Yongtai’s tomb murals From August 1960 to April 1962, the Shaanxi Provincial Cultural Relics Management Committee organized the excavation of the tomb of Princess Tang Yongtai (Figure 1). The tomb length of 87.5 meters, unearthed cemetery murals nearly 400 square meters. From the tomb to the tomb full of Jieyou, the content of the Dragon, White Tiger, Yi Wei, Que House, column halberds, caisson, Yunhe, celestial bodies, court figures and so on. Most of these frescoes are distributed in the red “shadow wood components” ~ ([2]), seamlessly integrated with the tomb structure,