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我在阅读魏穆之老师书法的时候,想起了智永和尚。《兰亭集序》原来是王家世代相传,到了王羲之第七代后人智永和尚的手里,已经是南北朝了。智永和尚守着老祖宗的宝贝,心里想着我要写出这样的书法多好呵。渐渐地,这个想法坚定固执起来,智永就一头扎进永欣寺里的阁楼上,智永说,我要学不成,就不下这个阁楼。
When I read the calligraphy of Wei Mu’s teacher, I remembered the wise monk. “Orchid Pavilion collection” turned out to be from generation to generation, to the hands of Wang Xizhi’s seventh-generation human intellectual Wing monk, is already the Northern and Southern Dynasties. Zhiyong monk guarding the ancestors of the baby, my heart thought I would like to write such a calligraphy how good Oh. Gradually, this idea was firm and stubborn, Zhi Yong plunged into the attic of Yongxin Temple, and Chih-Yong said that I could not learn without leaving the attic.