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新都市电影中“物”聚焦于物欲享受和时尚趣味,呈现出审美体验表层化、精神文化内涵缺失的病症。如何于“物”的商品属性之外开拓其丰富的审美属性,是新都市电影在满足大众消费的同时,提高自身文化品质,呈现全面、真实的都市空间,并克服主体精神异化,实现其社会文化价值所面临的重要命题。本文意在指出,“物”象的创造不仅需要在形式上实践对日常生活的超越,通过融于叙事敞开建构的空间,更需要在文化内涵上立足于对都市文化的“在地”体验,自觉关注都市人的精神征候,以此建构新都市电影的文化与美学价值。
In the new metropolitan cinema, “things” focus on material enjoyment and fashion taste, showing a superficial aesthetic experience and a lack of spiritual and cultural connotation. How to develop its rich aesthetic properties beyond the product attributes of “things ” is that while satisfying the mass consumption, the new metropolitan film should enhance its own cultural quality, present a comprehensive and true urban space and overcome the main body alienation and achieve Its social and cultural values are facing an important proposition. The purpose of this paper is to point out that the creation of the “object” not only needs to formally practice surpassing of daily life but also opens up the space for the construction of narration, and more needs to be based on the cultural connotation of urban culture "Experience, consciously concerned about the spirit of urban people signs, in order to build the culture and aesthetic value of new urban film.