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主倡自然是唐代诗歌美学理论的基本特色。它具有三元化的态势、特点,即:以李白、司空图为代表的具有明显道家思想特征的崇尚天妙之美、天籁之音的美学思想;以释皎然为代表、兼及韩孟诗派的受到佛教影响的主张雕琢出自然、笔补造化的美学思想;以白居易为代表的维护儒家诗教的纯自然主义的美学思想。这是儒、道、佛三家思想对唐代文坛尤其是诗坛产生重大影响的表现。
The advocacy of nature is the basic characteristic of the aesthetic theory of poetry in the Tang Dynasty. It possesses the three-dimensional situation and characteristics, namely, the aesthetic ideas of advocating the beauty of nature and the sound of nature, represented by Li Bai and Sikhon map, which are obviously characterized by Taoism; taking the explanation of Jiao Joran as the representative, Influenced by Buddhism, the aesthetic ideas of nature and pen are carved out; the purely naturalist aesthetic thought of Confucianism, which is represented by Bai Juyi, is carved out. This is the Confucianism, Taoism and Buddhism three thoughts on the Tang Dynasty literary circles, especially poetry has a significant impact on the performance.