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在中国,毫无疑问绝大多数的摄影人都居住在城市,但他们的主要摄影对象是自然风光或社会纪实。他们从天涯海角到林海雪原,从东海之滨到高原荒漠,留恋于山水痴迷于人文。他们的信条是拍最美的山水,拍最苦的人群,并把这一切做到了极致,令世人惊叹不已。从摄影术发明的那天起,人们自然把目光放到了风光和人像上。是那时候的城市建筑不值得他们青睐吗?我想不是,也
In China, there is no doubt that most photographers live in cities, but their main object of photography is natural scenery or social documentary. They reach the sea of snow from the ends of the earth to the snowy forest, from the coast of the East China Sea to the desert plateau, nostalgia for the landscape obsessed with humanities. Their credo is to take the most beautiful landscapes, beat the most bitter crowd, and to do all this to the extreme, the world marvel. From the day of the invention of photography, people naturally focus on the scenery and the portrait. Is that the city’s architecture at that time not worth their favor? I think not, too