神童很多,但莫扎特只有一个。很多时候,早熟的神童背后有无数早逝的神童陪葬,失败的概率要比成功的概率高很多,实在不值得我们盲目追捧。神童前面因为有个“神”字,轻易就被“神化”了,百年一遇的天才能人所不能,简直神乎其神,神到一定程度,大家都忘了他们压根就是人,构造和我们一样,只不过在某方面有些特别突出的才能。音乐领域好像特别会出神童,莫扎特作为最为人熟悉的音乐天才,六岁就能作曲,十一岁就 Prodigy many, but only one Mozart. Very often, prodigy prodigy behind the innocent prodigy is buried, the probability of failure is much higher than the probability of success, it is not worth our blind pursuit. In front of the prodigy because there is a “God ” the word, easily be “deified ”, the genius of a hundred years can not, simply supernatural powers, God to a certain extent, we forget that they are simply root, structure Like us, there are only some outstanding talents in some area. Music seems to be a special child prodigy, Mozart as the most familiar musical genius, can compose at the age of sixteen, eleven years old