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非定型主义(Art Informel)艺术表现形式对于中国艺术爱好者来说.也许还是一个陌生而又晦涩的词语,大多数观赏者还无法真正理解其表现意义和存在价值。早在20世纪50年代,西方就已经掀起非定型主义材料绘画的风潮。这种令人耳目一新的表达方式给观者一种新的带有暧昧和挑衅意味的刺激,使人们的感受更加立体。它逃离了架上绘画的捆绑与束缚.让艺术家运用各种材料表达自我情绪.通过知觉与感性刻画更深层的精神领域.更加积极地探索与深入,更加自由地与观者互动。而提到非定型主义材料绘画,就避不开他的创立者——安东尼·塔比埃斯。
Art Informel’s artistic expression may be an alien and obscure term for Chinese art lovers, and most viewers still can not really understand its meaning and value. As early as the 1950s, the West had started a wave of non-stereotyped material painting. This refreshing expression gives the viewer a new stimulus with ambiguous and provocative feelings that make people feel more three-dimensional. It escaped the binding and shackling of shelf painting, allowing artists to use various materials to express their emotions, portraying deeper spiritual areas through perception and sensibility, exploring more actively and interacting more freely with viewers. And referring to non-stereotype material painting, he can not avoid his founders - Anthony Tabbias.