当下受诸多因素的影响,戏曲尤其是地方小戏整体上的日渐式微已成为不争的事实。许多优秀的地方剧种正在经受传承后继无人、受众萎缩、演员年龄断层而出现的“无人演,无人看,无人传”的“三无”状态,面临举步维艰的严峻的生存考验,且各地戏曲与剧种的发展存有极端不均衡性,一些地方性小剧种甚至已经濒临灭绝的边缘,发展情势令人堪忧。笔者将以甘肃省境内的“武都高山戏”为例,管窥当下地方戏曲的生存与发 At present, influenced by many factors, it is an indisputable fact that the drama, especially the overall decline of local operas, has become an indisputable fact. Many outstanding local operas are undergoing the “three noes” state of “no one playing, no people watching, no one passing away” that has emerged from the inheritance of no one, the shrinking audience, and the age breakdown of actors. Living tests, and there is an extreme imbalance in the development of operas and operas in various places. Some local minor operas are even on the verge of extinction. The development situation is worrying. I will be in Gansu Province “Wudu Alpine Opera ” as an example, the current local drama about the survival and development