以宋代博杂和疑辨的学风为研究背景,介绍王应麟《玉海·艺文》中编题目录的基本特点:即在每一个子目下各设若干编题,分别而有联系地加以叙录,而不是以每一部图书为著录和叙录单位。进而得出结论:以编题为著录单位的组织形式,给我国编制目录的方法,开辟了一个新方向。借此告诉人们,《玉海·艺文》开始的从传统著录方式向主题目录组织形式的过渡,是非常方便读者参考的。 Based on the study style of miscellaneous and discernment in the Song Dynasty, this paper introduces the basic characteristics of the cataloging of the title in Wang Yinglin’s “The Art of Yuhai”: that is, under each subtitle, there are several editorials, Not every book for the record and record unit. And then draws a conclusion: It has opened up a new direction for the method of compiling the catalogs in our country with the organizational form of compiling titles. In this way, it is very convenient for readers to refer to the transition from the traditional way of writing to the theme catalog organized by “Yuhai Yiwen”.