论文部分内容阅读
中原先锋作家行者的小说《非斯》在叙事学的框架内,建构属于自己的叙事风格,开辟一种新的叙述方式——全知全能的全聚焦叙述模式。在“非斯曰”中,叙述者游离于故事与现实之中,为了故事情节的发展不断妥协让步。这种怪诞的叙事方式形成了四种对话机制,即叙事主体(隐含作者)与叙述者(非斯)的对话、叙述者(非斯)与人物的对话、叙述者(非斯)与作者(实际作者)的对话及叙述者(理论上的叙述者)与非斯(小说中实际的叙述者)的对话。《非斯》对叙事学的内部要素进行了革新,建构了一种荒诞的叙事方式,这在中国小说叙事学上具有开创性。
In the framework of narratology, the novel “Fes”, a pioneer writer in the Central Plains, constructs its own narrative style and opens up a new way of narration - the all-encompassing all-focus narrative model. In “Feyges ”, the narrator free from the story and reality, in order to continue the development of the plot of the story compromise. This grotesque narrative forms four kinds of dialogue mechanisms: the dialogue between narrative subject (implied author) and narrator (fez), the dialogue between narrator (fez) and character, narrator (fez) and author (The actual author) and the dialogue between the narrator (the theoretical narrator) and Fes (the actual narrator in the novel). Fes has innovated the internal elements of narratology and constructed an absurd narrative style, which is groundbreaking in Chinese narrative novel.