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近几年来,以知识分子命运作为真实反映社会生活、反映时代脉搏的一个侧面,逐渐成为电影文学创作的热门题材。从《天云山传奇》、《人到中年》到《二十年后再相会》,许多剧作所揭示的同一严峻事实——知识分子的不懈追求与其遭际的强烈对比——深深叩击着人们的心扉,产生了一定的艺术感召力。然而与此同时,也出现了某种新的公式化倾向,即那些人物形象的经历、处境及其行为、性格,似乎都大同小异,忽视电影美学要求的创作固弊也仍然时有表现,颇少新鲜感。怎样才能不落窠臼地写出既揭示心灵美、又富于人情味,既有典型意义、又符合电影特性的作品呢?我觉得海青同志的《迟到的桂冠》(发表在1985年第6期《电影新作》上)在这方面作了些难能可贵的尝试。
In recent years, taking the fate of intellectuals as a reflection of social life and reflecting the pulse of the times has gradually become a hot topic in the creation of movie literature. From “Legend of Tianyun Mountain” to “middle age” to “meeting again after 20 years”, the same harsh truth revealed by many dramas - the unrelenting pursuit of intellectuals and their intense contrast - deeply Percussion people’s heart, has produced some artistic charisma. However, at the same time, some new formulaic tendencies emerged, that is, the experiences, situations, behaviors and personalities of those characters appeared to be similar or similar. sense. How can we write down works that reveal not only the beauty of the mind but also the richness of the human face, both in the typical sense and in the characteristics of the film? I think Comrade Hai Qing’s “Late Laureate” (published in Issue 6, 1985 New Works on Film) made some remarkable attempts in this respect.