作为19世纪欧洲浪漫派音乐最具代表性的作曲家之一,约翰奈斯·勃拉姆斯在他的唯一一部小提琴协奏曲,即《D大调小提琴协奏曲》中充分的体现了他对节奏的把控力和运用能力。本文从创作技法的视角出发,重点分析了切分节奏、三连音、多节奏(拍)三类典型节奏型在本曲中的运用手法。为实际创作中的技法丰富提供思路,拓展作曲思维。 As one of the most representative composers of European romantic music in the 19th century, Johannes Brahms embodied his full expression in his only violin concerto, the “Violin Concerto in D Major” Rhythm of the control and use of ability. In this paper, from the perspective of creative techniques, this paper focuses on the use of three typical rhythm patterns, including rhythm, triplet and multi-rhythm. For the actual creation of rich techniques to provide ideas, expand the composition of thinking.