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唐朴林教授六十多年从事民族音乐的学习、研究、创作和教学工作,始终不渝,不改初衷。在长期的教学、创作实践中,在没有任何参考资料的情况下,于1974年便完成了《民族乐队配器法》的教材,其时胡登跳教授的评语是“:是学习民族乐队写法的比较实用的教材”(见唐朴林《民——音乐之本》上海音乐出版社出版)。在十余年的教学实践中,在总结了正反两面的经验之后,根据社会的需求,并参阅了胡登跳教授的《民族管弦乐法》(已重版)。重新改写为《民族器乐多声部写作》(中央音乐学院出版社出版),获得了较好的教学效果和社会效果。冯光钰先生在《音乐之本的追寻》一文中说,该书“显示出他能驾轻就熟地将中外古今的多声部写作于一体”[1],作曲家骆季超在《民乐创作的好帮手》(《音乐周报》2006年12月26日)中说“:这是一本值得向全国音乐同行们推荐的一本好书”。笔者也认为:唐朴林的《民族器乐多声部写作》对我国民族器乐的创作实践有着重要的指导意义,是一部很有见地并与创作实践结合紧密的教材。
Professor Tang Puolin more than six decades engaged in the study of national music, research, creation and teaching, unswervingly, do not change their minds. In the long-term teaching and creative practice, in the absence of any reference materials, completed in 1974, “National Band Equipments” textbook, when Professor Hu Dunping’s comment is: “is the study of the national band writing More practical teaching material ”(see Tang Pulin“ people - the music of this ”Shanghai Music Publishing House). After more than ten years of teaching practice, after summing up both positive and negative experiences, according to the needs of society, I also read the National Orchestral Law of Professor Hu Dengxiao (reprinted). Rewritten as “folk instrumental polyphonic writing” (Central Conservatory of Music Publishing House), access to a better teaching and social effects. Mr. Feng Guangyu said in his article “The Pursuit of Music,” that the book “shows that he is capable of writing the multi-vocal parts of ancient and modern China and foreign countries in one well-being.” [1] The composer Luo Jichao made a great contribution to the creation of folk music (Musical Weekly, December 26, 2006) states: “This is a good book worth recommending to national music colleagues.” The author also believes that Tang Pu-lin’s “National Instrumental Multi-Part Writing” has an important guiding significance for the practice of our national instrumental music. It is a very insightful teaching material that is closely integrated with the creative practice.