情感性是一切艺术创生的源头,也是众多艺术延伸表达的核心主旨。在以油画材料为主要载体的油画创作过程中,创作主体通过先验和实践总结两个方向上酝酿的重要知识和经典构图形式为支撑,通过合理创造将自由意志以艺术语言的形式表达出来,其作品在材料与概念,主体和载体之间产生激烈的碰撞,并产生出更加猛烈的蒙太奇效应,也即达到“画出一幅画,就是画出一段时光,一份记忆,一种情感”的效果。从美学的角度而言,好的作品无非是自由意志与情感性语义的完美转换,通过“我感受”、“我画面”、“我表达”进一步的与观赏的客体实现情感性连接,从而达到同感、通感的内在深层心理学联结。 Emotionality is the source of all art creation and the core tenet of many art expansions. In the process of oil painting with oil painting material as its main carrier, the creative subject, through priori and practice summarizes the important knowledge brewed in two directions and the classic composition form as the support, expresses the free will through artistic creation in the form of artistic language, His work creates a violent collision between material and concept, subject and carrier, and produces a more violent montage effect, which means “drawing a picture draws a period of time, a memory, an emotion ”Effect. From an aesthetic point of view, a good work is nothing more than a perfect conversion of the free will and emotional semantics through the realization of further and ornamental objects such as “I feel”, “My picture”, “I express” Emotional connection, so as to achieve the same sense of synaesthesia deep psychological link.