本文以山东商河鼓子秧歌的采风实况为背景,对中国民族民间舞“采风”工作的现状以及遇到的主要瓶颈问题进行了梳理,并以此为基础,探讨在现代社会语境下,民族民间舞的“采风”工作所面临的变化以及应对这些变化的措施。同时,通过分析民族民间舞美学体系建构中“地方性知识”与“地方性经验”的不同功能,提倡现代性社会中民族民间舞的形态创建应该以“鲜活的生命经验”为基础,实现民族民间舞由知识型艺术向知识-经验型艺术的转型。 In this paper, based on the actual situation of mining folk songs in Shanghe Drum Yangko in Shandong Province, this paper reviews the current situation of the folk songs and the main bottlenecks encountered in the folk dance in China, and based on this, Under the “national folk dance” “mining” work face changes and measures to deal with these changes. At the same time, by analyzing the different functions of “local knowledge” and “local experience” in the construction of national folk dance aesthetics system, it is suggested that the creation of folk dance in modern society should be based on “vivid life experience ”As the basis to realize the transformation of national folk dance from knowledge-based art to knowledge-experience-based art.