作为中国最负盛名的莫里哀喜剧研究者,李健吾不仅为我们留下了对莫里哀喜剧博大精深的研究成果,而且为我们展示了属于他自身的独特的研究个性。他的研究工作证实了这样一个命题:“创作家根据生活和他的存在,提炼出他的艺术;批评家根据前者的艺术和自我的存在,不仅说出见解,进而企图完成批评的使命,因此它本身也正是一种艺术”① 。 As the most famous comedian of Moliere’s comedy in China, Li Jianwu not only left us with profound research on Moliere’s comedy but also showed us his unique and unique research personality. His work confirms the proposition that “a writer refines his art based on his life and his existence; critics, based on the former’s art and self’s existence, not only give insight and thus attempt to fulfill the mission of criticism, It is also an art in itself. ”