油画是一门讲求“原创”的艺术创作,在“原创”原则之下,诞生了诸多风格、门类及流派。而在日渐多元的文化艺术发展进程中,尤其是在当代文化艺术背景下,“挪用”观念日渐成为一种特殊手段,对文化艺术的创作起着很大的补充和完善作用。但“挪用”的极端发展也为艺术发展造成了一些恶性影响,它的大量运用致使创作的意义在本质上发生了某种偏移,同时,挪用也在某种程度上使原作的固有价值流失。本文旨在对美术史部分经典作品的画面分析和图像解构,提出对“挪用”观念的双重理解。 Oil painting is an emphasis on “original ” artistic creation, under the “original ” principle, the birth of many styles, categories and genres. In the increasingly diversified cultural and art development process, especially in the context of contemporary culture and the arts, the concept of “embezzlement” has increasingly become a special measure that plays a significant role in complementing and improving the creation of culture and the arts. However, the extreme development of “misappropriation ” has also caused some vicious influences on the development of the arts. Due to its extensive use, the meanings of the works have been somewhat offset. At the same time, the misappropriation has also made the original works inherently Loss of value. The purpose of this paper is to analyze and deconstruct some classic works of art history and put forward a double understanding of the concept of “embezzlement”.