今年,北京电视台高频率地推出了多部家庭情感剧,从这些扎堆的情感戏中,能看出此类剧创作的风向从前些年的“第三者”转向了如今的“兄弟情”、“母子情”再到“婆媳怨”。前些年,家庭情感题材多涉及到婚恋,往往要安排个第三者介入,或者是生离死别。但现实情况是,观众对于“第三者”与 This year, Beijing Television Station launched a series of high-frequency family emotional drama. From these rumored emotional games, it can be seen that the direction of such drama creation has shifted from the “third party” of the previous years to the current “brother Love ”, “ mother and child love ”and then “ wife and daughter complain ”. A few years ago, family affection related to the subject matter more than love and marriage, often have to arrange for a third party involved, or die away from life. But the reality is that the audience for “third party” and