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苗族蜡染是苗家人的生活、生产、战争、迁徙等场景按照自然的规律和心理活动逻辑进行简体、变形、夸张和抽象而成的“人化自然”的心灵符号,组成一种理想化的完形关系。这种“人化”作用沟通了人们心灵的联系,架起一座人类共同审美经验的桥梁。它像一条纽带,把不同时代、不同文化传统、不同文化氛围中的人从深层意识中联结起来。这种沟通作用使不同的人出于不同的目标与角度,从积淀下来的形式中,感受到不同层次的内容。
Miao batik is Miao family’s life, production, war, migration and other scenes in accordance with the laws of nature and the logic of mental activity simplified, deformed, exaggerated and abstract “humanized nature ” spiritual symbols to form an idealized Gestalt relationship. This “humanization ” role in communicating people’s spiritual contact, set up a common aesthetic experience of mankind bridge. It is like a link that connects people in different times, cultures and traditions and cultures from a deeper perspective. This communication makes different people from different goals and angles, from the accumulated form, feel the different levels of content.