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审美感觉作为把握对象世界的一种方式,为画家的全部创作心理活动提供两种能量:一是原始的情绪能量,另一是当前的感悟能量。 情绪是一种极其复杂的心理因素,其全部秘密尚有待于进一步发掘揭示。心理学家们不得不承认,“现代心理学对全部情绪经验的组织和分类很少做正式的探讨,甚至连一个说明整个情绪领域的详尽的纲目也没有”。对于画家的创作实践来说,情绪的发生要远远先于理性的发生,情绪比理性甚至于比情感更具有深而且重的动机和动力的能量。然而,长期饱满的感觉积淀也只能是作为一种“提
As a way of grasping the world of objects, aesthetic feeling provides two kinds of energy for all creative psychology activities of painters: one is the original emotional energy and the other is the current perception energy. Emotion is an extremely complex psychological factor, all its secrets yet to be further revealed. Psychologists have to admit that “modern psychology rarely formally discusses the organization and classification of all emotional experiences, and there is not even an exhaustive list of the entire field of emotions.” For the painter’s writing practice, emotions take place far before rationality occurs. Emotional emotions have even deeper and heavier motivation and motivation than emotions. However, long-term accumulation of feeling can only be as a "mention