长久以来,女性一直是文学史上被着重描写的群体之一,父权社会的桎梏使她们常与弱势,渺小等词联系在一起,在外界的形成微小的刻板印象。而女性的生命史常常与国家,城市,民族的衰亡结合起来,带有普遍的隐喻意义,扶桑和黄得云既是带有极大历史隐喻色彩的人物。前者出自著名华文文学作家严歌苓的名作《扶桑》,后者则是出自搅动台湾文坛的著名现代派作家施叔青的《香港三部曲》,两个人人物同曾为良家女子,被拐卖后成为异国与他乡的娼妓, For a long time, women have always been one of the most important groups in the history of literature. The paranormal power of the patriarchal society made them often associated with words like weakness and insignificance, forming a slight stereotype in the outside world. The history of women’s life is often combined with the decline of the country, city and nation, with the universal metaphorical significance. Both Fuso and Huang Deyun are both characters with great historical metaphors. The former is from the well-known Chinese literary writer Yan Geling’s famous masterpiece “Fuso,” while the latter comes from the Hong Kong Trilogy by Shi Shuqing, a well-known modernist writer in the Taiwan literary arena. Prostitutes of his hometown,