17世纪,随着宋明理学的衰落以及心学与禅学的合流,传统审美观念中的伦理价值逐渐解体,人们对于“士习败坏”已经习以为常,以人品论艺术已经不再理直气壮了。而到了20世纪,更由于西方现代艺术观念的渗透,以人品论艺术,则几乎成了不合时宜的论调。但是此时却有一位画家和美术教育家以身作则,身体力行,坚持自己终生不移的人格操守。他,就是潘天寿。潘天寿以其人格魅力 In the 17th century, with the decline of Neo-Confucianism and the confluence of psychology and Buddhism, the ethical values ​​in traditional aesthetic concepts gradually disintegrated. People have become accustomed to “corruption in the study ”, and the art of character theory is no longer righteous . By the 20th century, moreover, due to the infiltration of western modern art concepts and the art of character theory, it almost became outdated arguments. However, at this time, there was an artist and art educator leading by example and practicing their own moral integrity for life. He is Pan Tianshou. Pan Tianshou its personality charm