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谢飞导演的电影《湘女潇潇》(1986),我们在欣赏女主角精湛演技的同时,无不对通片表现出来的浓重封建气息表示哀叹。目睹了潇潇从一个天真烂漫的女童,渐渐变成情窦初开的少女,又经历了世故变迁,最后在封建的重压下有些许反抗却又沦为封建礼教工具的悲剧。于是,潇潇自己所遭受的苦难又会依样画葫芦地强加给下一代。因此,封建的伦理、礼法便以此种遗传方式,在“述而不作”的幌子下,代代相沿,千古不磨。另外,本片在拍摄技巧上也有些许独到之处,特别是象征意义上的拍摄手法,颜色、音乐、音响等的处理,都很好的展现了影片主题。
Xie Fei director’s film “Xiang female Xiao Xiao” (1986), we admire the heroine’s superb acting at the same time, all of the film shows the strong feudal breath expressed lament. Witnessed the innocence of a girl from a naive, and gradually turned into a love girl, has experienced a vicissitude, and finally under the weight of the feudal resistance but reduced to a tragedy of feudal ethical tools. As a result, Xiaoxiao their sufferings will be imposed on the next generation. Therefore, the feudal ethics, etiquette will be in this way of inheritance, under the guise of In addition, the film shooting techniques also have some unique features, especially the symbolic shooting techniques, color, music, audio, etc., are very good show the theme of the film.