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近几个月来,戏剧界就评价话剧《有这样一个小院》问题展开了热烈的争论。肯定这出戏的同志认为它是一出反映人民斗争生活、表达人民思想愿望的好戏,反映了思想解放运动中出现的话剧创作的一股新潮流;否定这出戏的同志认为它是一出违反“四项原则”的坏戏,把它当作错误思潮的一个典型来批判,说它反映了“当前戏剧创作上一个值得注意的问题”。显然,这场争论远远超出了对一出具体戏的评价,涉及到如何对待戏剧创作的新潮流,如何在戏剧战线上正确进行反倾向斗争等等重要问题。
In recent months, the theater industry has heated arguments on the evaluation of the drama “There is such a small courtyard.” The comrades who affirmed the play think it is a good show that reflects the people’s struggle for life and express the aspirations of the people’s ideology, reflecting a new trend in the creation of drama in the ideological liberation movement. The comrades who have denied the play think it is a Out of the bad act of violating the “four principles,” it is criticized as a typical mistaken idea, saying that it reflects “a noteworthy problem in current dramatic writing.” Obviously, this debate goes far beyond the evaluation of a specific drama, dealing with the new trend of how to deal with drama creation and how to correctly conduct anti-tendering struggles on the theater front.