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少爷与丫鬟的故事,是中国文学中非常常见的叙事模型。丫鬟和少爷,代表了不同社会阶层;他与她的爱情,折射着两个不同社会阶层之间的联系及其交流的方式。丫鬟与少爷的故事,在不同的时代里,文学的讲述所体现出的社会意义是不同的:古典文学中的丫鬟与少爷的故事,是男权和等级社会里的风流韵事;而五四新文学中的丫鬟与少爷的故事,则是反封建的个性解放;而左翼革命文学笔下的丫鬟与少爷的故事,则已转换为阶级的厮杀和斗争。丫鬟和少爷的故事曾经常讲常新,但进入社会主义新时代,它已经彻底消失了。消失的故事可以在历史的幻想中重现,但是,等级制的社会土壤以及依附其上的丫鬟和少爷这两个社会角色,更是一去不复返了。
The story of young master and maidservants is a very common narrative model in Chinese literature. Maidservants and young masters, on behalf of different social classes; his love with her, reflects the connection between the two different social strata and the way they communicate. The stories of maidservants and young masters in different times have different social meanings: literary maidservants and young master’s stories are the romantic affair in patriarchal and hierarchical society; and the May Fourth new The stories of the maidservants and young masters in literature are the anti-feudal liberation of their individuality; while the stories of maidservants and young masters in the left-wing revolutionary literature have been transformed into class fighting and fighting. The stories of maidservants and young masters have always been new, but they have completely disappeared into the new era of socialism. The disappearing story can be reproduced in the illusion of history. However, the social soil of a hierarchical system and the social roles of maidservants and young masters attached to it are gone forever.