论文部分内容阅读
在持续遭遇包括儒家文化在内的多种文化的侵蚀中,回族以继承与调适的理性姿态,坚守着自己的文化品格和文化精神。回族文学由于植根于伊斯兰文化之中,又深受中国传统文化的浸染,在长期的相互借鉴、影响与融合中,它逐渐形成了自己独特的美学特质。月亮美学便是一个典型的例证,经历了儒、伊文化交融后的意义重组,回族月亮关学形成了以信仰之月为主导,兼有自然之月、德性之月等方面的审美特质。由此,月亮美学集阴柔与刚毅于一身,调和了儒家文化中月亮的情感本位和伊斯兰文化中月亮的意志本位,体现出中庸合度的优雅和严格自律的精神向度。
In the constant erosion of various cultures including Confucianism, the Hui people hold their own cultural and cultural spirit with a rational attitude of inheritance and adjustment. Because of being rooted in Islamic culture and deeply influenced by Chinese traditional culture, Hui literature gradually formed its unique aesthetic characteristics in the long-term mutual reference, influence and integration. Moon aesthetics is a typical example. After the Confucianism and Iraqi culture were merged, the significance of the moon was reorganized. The moon and moon closure led to the formation of the aesthetic qualities that are led by the moon of faith and both the moon of nature and the moon of virtue. As a result, the aesthetics of the moon combines femininity and resoluteness in one, reconciling the emotional essence of the moon in Confucian culture and the will-based moon in Islamic culture, reflecting the elegant and strict self-discipline of the moderate and moderate spiritual orientation.